Alicia Nauta is
a super rad Toronto lady. She has sweet records and is a joy to hang
with. I am proud to call Alicia a Garbage Buddy. Here are her picks for
this edition of DJ Garbage Body’s Buddies. Enjoy, lovelies! xo DJ GB
12/12/2015
6/12/2015
Mural in Parkdale, Toronto
I've been painting part of a mural on a fence around a community garden. Working with the collective Buck Teeth Girls Club. It's located on Milky Way Avenue in Parkdale, go take a look!
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| My part of the mural based on my collage "Purify your air" |
Labels:
Collages,
Installation
Narwhal In The Studio: Alicia Nauta
Toronto artist Alicia Nauta is currently exhibiting her work at Narwhal as part of the group show, Roll Up That Tender Air and the Plant Dies, the Colour Fades. We had a chance to visit her studio where Alicia shared insight on her process, inspirations, and the current exhibition. 
In the exhibition Roll Up that Tender Air and the Plant Dies, the Colour Fades there are references to domestic living such as rugs, plants, and ceramics throughout the show. What role does domesticity play in your work?
A lot of the collage material I work with comes from books found in thrift stores. I look out for DIY home manuals, including picture framing, woodworking, interior decorating, gardening, natural houses, curtain and drapery how-tos, houseplant and architecture encyclopedias, as well as collectors guides to glassware, ceramics, rugs etc. I identify with a lot of the ideas found in these books around creating or doing yourself, growing your own garden and creating a beautiful and environmentally friendly place to live. Recycling, reusing and reducing are referenced more heavily in a lot of these dated books (60’s/70’s era mostly) and although those green ideologies and movements are still circulating, they seem to have been commodified, rather than incorporated into our lives in a more holistic way.
Plants are featured heavily throughout the show. There is a sense that nature has overtaken the environment; however, all the plants have a manicured air as to suggest they’ve been raised and kept in domestic spaces – a tension between the natural world and our ongoing attempt to tame it. Why do you think we are compelled to bring nature indoors?
The plant images I use for collage material are found from a variety of sources, but mostly encyclopedias or houseplant manuals where a simple line drawing of the plant accompanies the description. I like to combine the organic lines of the plants with harder, more graphic lines and shapes. The tensions between the natural and manufactured world are all around us; I fear humans have damaged the natural world to an irreparable point. Environmental damage, nuclear waste piling up (that will be around for 250,000+ years) food and water shortages, overpopulation, and failing ecosystems don’t exactly paint a positive picture for our future. A quote from Michael Pollen’s article The Intelligent Plant, “Plants dominate every terrestrial environment, composing ninety-nine per cent of the biomass on earth. By comparison, humans and all the other animals are, in the words of one plant neurobiologist, “just traces.” Imagine a world after humans have left and plants slowly take over again; that’s a pretty beautiful image.
A lot of the collage material I work with comes from books found in thrift stores. I look out for DIY home manuals, including picture framing, woodworking, interior decorating, gardening, natural houses, curtain and drapery how-tos, houseplant and architecture encyclopedias, as well as collectors guides to glassware, ceramics, rugs etc. I identify with a lot of the ideas found in these books around creating or doing yourself, growing your own garden and creating a beautiful and environmentally friendly place to live. Recycling, reusing and reducing are referenced more heavily in a lot of these dated books (60’s/70’s era mostly) and although those green ideologies and movements are still circulating, they seem to have been commodified, rather than incorporated into our lives in a more holistic way.
Plants are featured heavily throughout the show. There is a sense that nature has overtaken the environment; however, all the plants have a manicured air as to suggest they’ve been raised and kept in domestic spaces – a tension between the natural world and our ongoing attempt to tame it. Why do you think we are compelled to bring nature indoors?
The plant images I use for collage material are found from a variety of sources, but mostly encyclopedias or houseplant manuals where a simple line drawing of the plant accompanies the description. I like to combine the organic lines of the plants with harder, more graphic lines and shapes. The tensions between the natural and manufactured world are all around us; I fear humans have damaged the natural world to an irreparable point. Environmental damage, nuclear waste piling up (that will be around for 250,000+ years) food and water shortages, overpopulation, and failing ecosystems don’t exactly paint a positive picture for our future. A quote from Michael Pollen’s article The Intelligent Plant, “Plants dominate every terrestrial environment, composing ninety-nine per cent of the biomass on earth. By comparison, humans and all the other animals are, in the words of one plant neurobiologist, “just traces.” Imagine a world after humans have left and plants slowly take over again; that’s a pretty beautiful image.
Roll up that tender air and the plant dies, the colour fades
I am in an exhibition with Eunice Luk and Luke Painter at Narwhal Contemporary
May 7- June 13
Collaborative window between myself, Eunice Luk and Luke Painter
Labels:
Screenprints
5/06/2015
New collaborative prints with Eunice Luk
Melting Columns
18" x 24"
Screenprint, edition of 50
Collaboration with Eunice Luk
Cast your fate to the wind
18" x 24"
Screenprint, edition of 50
Collaboration with Eunice Luk
Labels:
Screenprints
4/27/2015
Skateboard for Lewis Cruise
Eunice Luk and I just had the pleasure of designing a limited edition screenprinted skateboard for our talented friend and studiomate's company Lewis Cruise. They are one of three (Jesse Harris and Michael Comeau did the other two) artist designed boards from his Spring 2015 line.
Currently in the window at Toronto's Blue Tile Lounge
Labels:
Screenprints
4/17/2015
Call for submissions at Xpace
a poster I designed and screenprinted for Xpace Cultural Centre
Labels:
Poster work,
Screenprints
3/07/2015
Flowchart
Poster I design and printed for Amelia Ehrhardt's Flowchart series, more information here
Labels:
Poster work
2/08/2015
greetings earthlings
Someday Plants Will Cover Everything
screenprint, 18" x 24"
created at Kala in Berkeley
Weird Room
double sided screenprint, 8" x 22"
Am I in my own house at all Mister pt.2
Xerox collage, 18" x 24"
A Stone is Nobody's
screenprint, 18" x 24"
(this is from a banner I made for an AGO First Thursday, but I never scanned it! so here it is)
Labels:
Collages,
Screenprints
DJ Garbage Body’s Buddies: Alicia Nauta
I forgot to post this back when it happened. Here's some music videos I like, thanks for looking and listening. Thanks to Julie for asking me to contribute!!
LA Art Book Fair
Alicia's Klassic Kool Shoppe, first time in LA.
Thank you for the most wonderful weekend...I'm lucky to have met so many inspiring people doing incredible things!
Labels:
Art Book and Zine fairs
1/17/2015
Eunice Luk + Alicia Nauta launch
Beautiful friends Brooke Manning (Likely General's owner) and Joële Walinga wearing our sweaters!
Two small brains!!!!!!!
1/10/2015
TWO small brains = ONE big brain
Collaborations between Eunice Luk and Alicia Nauta
Please join us for the Toronto launch of our book, 'Is this the right word?' as well as a new line of dyed and printed tote bags and sweatshirts.
Please join us for the Toronto launch of our book, 'Is this the right word?' as well as a new line of dyed and printed tote bags and sweatshirts.
Likely General
389 Roncesvalles Ave
Wednesday, January 14
We will be serving a special drink ~ * the big brain cocktail * ~ with tequila, campari and citrus, plus a cool snack we make. Looking forward to seeing you!
Labels:
Garments and fabrics,
Screenprints
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